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Crystal Palace London England

Crystal Palace


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Antenna Studios

Bowyers yard, Haynes lane
Crystal Palace, London SE19 3AN
England

Antenna studios in Crystal Palace is a friendly relaxed studio with its aim to make the artist as comfortable as possible. We have three rooms for ...

Waka Hasegaw


Crystal Palace, London SE26 6UR
England

Waka is an experienced piano teacher preparing studens for exams, auditions and competitions. She is also a busy performer

SW Pianos: Piano Moves and Disposals in South London and Southern England

145 Beauchamp Road
Upper Norwood
Crystal Palace, London SE19 3DA
England

SW Piano Movers are based in Crystal Palace and serve South London, the Home Counties and Southern England.
We have been moving pianos and organs for ...

Featured Listings

  • Moloney Pianos

    Unit 2
    Europa Enterprise Park
    Midleton, County Cork
    Republic of Ireland

    We can supply all makes of new and reconditioned

  • Penguin Pianos

    40 Willsgrove
    Cahercalla
    Ennis, County Clare
    Republic of Ireland

    Pianos for Sale

  • Broughton Pianos Limited

    Drayton Mill
    Stourbridge, Worcestershire DY9 0BT
    England

    Broughton Pianos have been trading for over 30

  • Barry Caradine Piano Specialist

    Unit 3C
    Bull Lane Industrial Estate
    Sudbury, Suffolk CO10 OBD
    England

  • A.Hanna & Sons Pianos LTD

    94 Kingston Road
    Wimbledon
    Merton, London SW19 1LA
    England

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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.