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Crystal Palace London England

Crystal Palace


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Antenna Studios

Bowyers yard, Haynes lane
Crystal Palace, London SE19 3AN
England

Antenna studios in Crystal Palace is a friendly relaxed studio with its aim to make the artist as comfortable as possible. We have three rooms for ...

Waka Hasegaw


Crystal Palace, London SE26 6UR
England

Waka is an experienced piano teacher preparing studens for exams, auditions and competitions. She is also a busy performer

SW Pianos: Piano Moves and Disposals in South London and Southern England

145 Beauchamp Road
Upper Norwood
Crystal Palace, London SE19 3DA
England

SW Piano Movers are based in Crystal Palace and serve South London, the Home Counties and Southern England.
We have been moving pianos and organs for ...

Featured Listings

  • Forsyth Brothers Limited

    126 Deansgate
    Manchester, Greater Manchester M3 2GR
    England

    Forsyth Brothers Limited offers an unrivalled

  • North West Piano Centre

    I-Mex Business Park
    Hamilton Road.
    Longsight, Greater Manchester M13 0PD
    England

    We have a carefully selected range of fine quality

  • Courtney Pianos

    43 Botley Road
    Oxford, Oxfordshire OX2 OBN
    England

    We are specialists retailer of traditional pianos

  • Roberts Pianos (Oxford)

    87, St. Clements St
    Oxford, Oxfordshire OX4 1AR
    England

  • Countrywide Pianos Centre Ltd

    194 Penn Road
    High Wycombe, Buckinghamshire HP15 7 NU
    England

    Sell both new & used pianos, superb choice of 75

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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.