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Association of Blind Piano Tuners (ABPT)


Welcome to the Association of Blind Piano Tuners (ABPT)

Our website known as the "UK Piano Page". It contains information about everything related to pianos; we are the home of UK piano industry. We have designed the site to make things easier to find and allow professionals listed on this site to update their details. We have one of the largest collections of piano history information on the internet, with a special emphasis on the history of the piano industry in the United Kingdom. We also cover a wide selection of overseas piano makers, and provide links to sites with a piano history theme.
 

The UK Piano Page also contains a wealth of information on tuners, manufacturers, movers, accompanists, teachers, entertainers, hire companies, French polishers, piano part makers, and piano construction. You may even find places to wine and dine with live piano music in the background.

We have a database of pianos for sale by shops around the UK, as well as a free section for the general public to advertise their pianos for sale. We also operate an extensive online piano gift shop where you can buy piano stools, castor cups, metronomes and lots of other piano related gifs and accessories. If you would like to advertise on the UK Piano Page, please visit our advertising page.

Answers to a variety of piano-related questions are found on the pub quiz page. We have an active piano discussion forum where you can seek answers to questions on pianos, their history, and piano music.

The Aims of the Association of Blind Piano Tuners

The Association of Blind Piano Tuners exists to serve the professional and particular needs of its members and other blind and partially sighted piano tuners throughout the world. 
 

Students
Student Membership is open to all visually impaired persons in full time training.
 

Friends
A Friend is anyone wishing to be associated with the ABPT or who has helped the ABPT in the past, or made a donation.
 

International Members (MABPT)
This is open to visually impaired tuners from around the world who have attended a recognized training school and are qualified.
 

Members (MABPT)
This is for visually impaired tuners from the UK who have attended a recognized training school and qualified with the AEWVH (CTB) diploma or equivalent.
 

Fellows (FABPT)
This is open to members of the ABPT who have undergone extra training to enhance their skills.
 

Honorary Life Members
This is open to members of the ABPT who have been members for over ten years and have satisfied Council of their eminence in the profession or of the importance and value of their services to the ABPT. The status of Honorary Life Member is at the discretion of the ABPT Council, and no more than five may be serving at any one time.
 

Only Members and Fellows who are resident in the UK are covered by our insurance policies. Only Full Members, Fellows, International Members and Associated Members may add the letters to their name and use the ABPT logo. All membership is at the discretion and approval of the ABPT Council.
 

We encourage all tuners to gain and maintain the highest professional standards and to exhibit ethical and professional integrity at all times.
 

We offer ongoing training to piano tuners who wish to acquire extra levels of ability. This is open to all everyone, even if they are not yet members of the Association. We do this by running subsidised seminars for fully sighted and visually impaired tuners. We maintain close links with all of the professional bodies of the music industry, and in particular with piano tuning organisations worldwide. The purpose of the website is to educate the general public in the good practice of maintaining their musical instruments and using professional tuners to do this work. This follows the broad outline of our mission statement. If we may be of any further assistance to you, please contact us.
 

 

Mission Statement.

To continue as the leading authority and association for blind or partially sighted piano tuners, insisting that only those professionally trained, examined, and qualified are accepted into membership, ensuring that the public knows that an ABPT member will offer skilled, professional, and reliable service.

Featured Listings

  • White & Sentance

    The Temple, Eastgate
    Sleaford, Lincolnshire NG34 7DR
    England

    White & Sentance are one of the longest

  • Dawsons Music Ltd (Liverpool)

    37 Ranelagh Street
    Liverpool, Merseyside L1 1JP
    England

    Dawsons caters for all musical styles and for all

  • Piano World

    Knightley Farm Workshop
    Callingwood
    Burton-on-Trent, Staffordshire DE13 9PU
    England

  • Broughton Pianos Limited

    Drayton Mill
    Stourbridge, Worcestershire DY9 0BT
    England

    Broughton Pianos have been trading for over 30

  • LSM Pianos Ltd

    9 Rothersthorpe Avenue
    Rothersthorpe Ind. Estate
    Northampton, Northamptonshire NN4 8JH
    England

    LSM Pianos Ltd. was established back in 1979. We

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Did You Know Piano Facts

Concert Pitch
What is Standard Pitch or Concert Pitch and why do we need it? Standard Pitch is a universal frequency or note that all instruments are set to. Todayís standard pitch is A440 or C523.3 and this concert pitch enables musicians to play instruments together in harmony. A form of standard pitch has been around ever since two individuals wished to play two instruments together or sing to an instrument. A tuning fork is normally used to set the pitch. However, in the past, pitch pipes have been used, and today electronic tuning forks are also used, but the most common is the tuning fork. The tuning fork was invented by John Shore in 1711 and it had a pitch of A423.5. He was the sergeant trumpeter to the Court and also lutenist in the Chapel Royal.
Of course, once you have your "A" or "C" set to a pitch, the rest of the instrument will have to be tuned. A scale is set in the middle and this scale also determines the pitch of all the twelve notes in the octave. The most common system used to day is known as equal temperament. This sets the pitches of the twelve notes so that the player can play the instrument in all keys by dividing the roughness equally among the twelve notes. The roughness is called the "wolf." This term may have come about because if the "wolf" is not set right the instrument will be howling out of tune.
Like standard pitch A440, equal temperament is not the only tuning scale that has been used. Ptolemy started using just intonation in 136 AD. Meantone tuning was perfected by Salinas in 1577 AD. Equal temperament was proposed by Aristoxenus, a pupil of Aristotle, and had been in use in China for some centuries before. It would seem that equal temperament was used in North Germany as early as 1690. In 1842 the organ of St. Nicholas, in Newcastle-upon-Tyne, was tuned to equal temperament, and this is believed to be the first organ to be tuned in this way in England for a concert. Willis the organ builder did not use equal temperament until 1854. However, in 1846 Walter Broadwood directed Mr. Hipkins the head piano tuner at the company to instruct their tuners in the use of equal temperament. Mr. Hipkins used two tuning forks, one for meantone at A433.5 and one for equal temperament at A436. Meantone was the most common scale used at that time. See Ed Foote for more information on the use of meantone on today's pianos.
Musicians are not the only people to work with pitch. In 583 BC, a Greek philosopher called Pythagorus was making use of the monochord. This device is simply a soundbox with a single string stretched over a movable bridge, the position of which can be determined by a scale marked on the soundbox. This was more of a scientific instrument than a musical one. Before this time, the Egyptians and Greeks made use of the monochord. For 5000 years, it was used to make intricate mathematical calculations. The ratio of intervals and many other facts that make up the fundamentals of acoustic science were discovered using the monochord. Pythagorus used a pitch of 256Hz on his monochord. The study of mathematics was known as philosophy in the time of Plato.