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Cambridge Cambridgeshire England

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Richard Smith

4A Green Street
Willingham
Cambridge, Cambridgeshire CB24 5JA
England

Very experienced and reliable tuition

Children and adults

Classical training; also jazz and pop repertoire

Consistently impressive exam results...

Brian Farley

Tacet-in-Cherrygates
Hadstock
Cambridge, Cambridgeshire CB21 4NU
England

Cocktail Pianist for a wedding, birthday or special occasion - all music styles. East Anglia and S.E. UK. Highly experienced professional in TV, ...

Piano Lessons for all ages


Cambridge, Cambridgeshire
England

I am an experienced classical piano teacher and a fully qualified secondary school teacher. My lessons are always fun & challenging - even for ...

Jamie Smith

3 Meadow Cottages
Horseheath
Cambridge, Cambridgeshire CB21 4QB
England

Jamie has worked as a lecturer and pianist internationally, performing as a soloist and chamber musician in many concert halls worldwide.

Jamie Smith

3 Meadow Cottages
Horseheath
Cambridge, Cambridgeshire CB21 4QB
England

Jamie Smith was born in Wales and whilst still at school he studied part-time at the Royal Welsh College of Music and Drama. He later read music at ...

Featured Listings

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    36 New Yatt Road
    witney
    Witney, Oxfordshire ox28 1nz
    England

    Mildren Pianos is based in Witney, Oxfordshire.

  • Abbey Pianos of Sheffield

    Regency Workshops
    Hunters Bar
    Sheffield, South Yorkshire S1 2PN
    England

    Suppliers of quality pianos, new and secondhand

  • Cunningham Piano

    20 Moorfield Drive
    Baildon
    Shipley, West Yorkshire BD17 6LQ
    England

    Cunningham Piano always has a varied selection of

  • Handel Pianos Ltd

    Verve House
    Sunningdale
    Ascot, Berkshire SL5 0DJ
    England

    Handel Pianos is a family run business and our

  • Stuart Jones Piano Sales

    18-20 Mochdre Industrial Estate
    Newtown
    Newtown, Powys SY16 4LE
    Wales/Cymru

    Based in the picturesque Mid-Wales countryside

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Did You Know Piano Facts

1157
Around the middle of the twelfth century we find the keyed monochord, which was developed further, several strings being added, until eventually we recognize the clavichord. A tangent was fitted to the back of each key, which when raised contacted the single string, and facilitated simultaneous notes. The tangent acted as a bridge determining the speaking length of the string. A mute was fitted to the non-speaking length, so when the key was released the note stopped singing.