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Cambridge Cambridgeshire England

Cambridge


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Richard Smith

4A Green Street
Willingham
Cambridge, Cambridgeshire CB24 5JA
England

Very experienced and reliable tuition

Children and adults

Classical training; also jazz and pop repertoire

Consistently impressive exam results...

Brian Farley

Tacet-in-Cherrygates
Hadstock
Cambridge, Cambridgeshire CB21 4NU
England

Cocktail Pianist for a wedding, birthday or special occasion - all music styles. East Anglia and S.E. UK. Highly experienced professional in TV, ...

Piano Lessons for all ages


Cambridge, Cambridgeshire
England

I am an experienced classical piano teacher and a fully qualified secondary school teacher. My lessons are always fun & challenging - even for ...

Jamie Smith

3 Meadow Cottages
Horseheath
Cambridge, Cambridgeshire CB21 4QB
England

Jamie has worked as a lecturer and pianist internationally, performing as a soloist and chamber musician in many concert halls worldwide.

Jamie Smith

3 Meadow Cottages
Horseheath
Cambridge, Cambridgeshire CB21 4QB
England

Jamie Smith was born in Wales and whilst still at school he studied part-time at the Royal Welsh College of Music and Drama. He later read music at ...

Featured Listings

  • Mildren Pianos Ltd

    36 New Yatt Road
    witney
    Witney, Oxfordshire ox28 1nz
    England

    Mildren Pianos is based in Witney, Oxfordshire.

  • Robert Morley & Company Ltd.

    34 Engate Street
    London
    Lewisham, London SE13 7HA
    England

    Robert Morley & Company Limited, established 1881

  • Courtney Pianos

    43 Botley Road
    Oxford, Oxfordshire OX2 OBN
    England

    We are specialists retailer of traditional pianos

  • Roberts Pianos (Oxford)

    87, St. Clements St
    Oxford, Oxfordshire OX4 1AR
    England

  • Elite Pianos

    126 Meadfield Rd
    Langley
    Langley, Berkshire SL3 7JF
    England

    Used and new acoustic and digital piano

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Did You Know Piano Facts

1157
Around the middle of the twelfth century we find the keyed monochord, which was developed further, several strings being added, until eventually we recognize the clavichord. A tangent was fitted to the back of each key, which when raised contacted the single string, and facilitated simultaneous notes. The tangent acted as a bridge determining the speaking length of the string. A mute was fitted to the non-speaking length, so when the key was released the note stopped singing.