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Jamie Smith

Jamie Smith










Jamie Smith was born in Wales and whilst still at school he studied part-time at the Royal Welsh College of Music and Drama.  He later read music at the University of Oxford, and went on to complete a Masters degree at the National Tchaikovsky Academy of Music in Kyiv, Ukraine, graduating with a Distinction in Piano Performance.

During his studies he was awarded numerous awards and scholarships to participate in master classes both in the UK and overseas, and also won prizes at International Piano Competitions.  

Jamie has worked as a lecturer and pianist internationally, performing as a soloist and chamber musician in many concert halls worldwide.  He has worked at the Ufa State Academy of Arts in Russia and also taught classes in piano performance at Zhanjiang Normal University in China.  He has lectured at the Sultan Idris Education University in Malaysia and held the post of ABRSM Malaysia National Coordinator from 2011-2013.

Jamie has already worked as a visiting music teacher at King's College School, Cambridge, Anglia Ruskin University and was Head of Keyboard at St Albans High School for Girls.  He continues to work as a teacher, accompanist and examiner in Cambridge. 

He has been an examiner for ABRSM since 2011 and has conducted tours in the UK, Malaysia, China and Hong Kong.  He has also presented for ABRSM and was a mentor on the Professional Development Panel.

Contact Information

  • 3 Meadow Cottages
    Horseheath
    Cambridge, Cambridgeshire CB21 4QB
    England
  • Mobile: 07747225060
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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.