Richard Smith

Richard Smith

Musical Education

My formal musical education began with piano lessons at the age of 14, and flute lessons a year later. Aged 17-19 I studied at the Royal Academy of Music (piano, with Graeme Humphrey, flute, and composition). After a further year of piano with Graeme Humphrey, I studied music at the University of Sheffield, where I continued my piano studies with John Irving. After winning the Julian Payne First Year Prize, I graduated in 1986, winning both the Mrs Stewart Blake Dissertation Prize and the Mrs Stewart Blake BMus Prize. My subsequent musical education was at King’s College London: MMus (1987) and PhD (1994, with Professor Arnold Whittall).

Teaching Experience

My first sustained teaching experience was in 1980 as one of the founding members of the Young Arbury Music Makers. I took up teaching again in 1989, firstly to fund the end of my doctoral research and then to support my growing family; and piano teaching has remained my sole profession ever since. For the past 28 years I have maintained a very full and successful teaching practice of approximately 35 weekly pupils.  During this time I have taught children as young as 5 through to 18, and have guided many to much exam success.

Teaching Philosophy

I teach as I have been taught, and aim to give all my pupils a sure and sound classical technique. But with regard to repertoire I always try to be as sensitive as possible to my pupil's enthusiasm, and this often involves jazz and pop. It is hardly ever necessary, even for exams, to ask pupils to learn what they regard as an unappealing piece; the time and effort devoted to practice should always be directed to a musically satisfying end. Thus if a pupil’s own enthusiasm dominates the choice of repertoire, the music itself is the most compelling (and the longest lasting) motivation and inspiration.

I am equally happy to teach those who want to learn solely for the pleasure and fun of music as those who also want to take exams. Whilst I am always aware of what high standards music making can reach, I never regard the aim of teaching to be the attainment of any particular standard, for my aim above all is the attainment of potential, be this ever so humble or high-flying.

I believe that one of the most important things a teacher can impart is healthy and productive practising habits, because, despite the importance of lessons, musical instruments are really learned when the teacher is not there – at home, between lessons.

If I can be said to have a teaching philosophy it may be summed up as “teaching music, teaching the piano, but teaching an individual”. By this I mean that I think of myself as teaching music first – teaching what magic it is that we can unlock with our own two hands - and then teaching the piano – the particular techniques of the instrument. But I also recognise that all my pupils are individuals, and I try to understand as best I can how music fits into their sometimes complex and busy lives. Lastly, I believe my teaching has benefited greatly by my experience of being a very active parent.

Annual Concert

Every year I organise a 'Summer Celebration of Piano Music', which gives my pupils an opportunity to perform before an audience. Besides the obvious benefits to both musical and personal maturity which the accomplishment of playing in public offers, it is so good for my younger pupils to hear my older pupils perform and to see what they may achieve; and it is equally good for my older pupils to see how far they have come. These summer concerts are always heart-warming occasions, much enjoyed by pupils and proud parents alike (not least for the tea and homemade cakes afterwards!)


I have always enjoyed teaching the ABRSM exams, and during the time I have been teaching in Cambridge I have entered many pupils for the full spectrum of exams with much success. I am also very experienced in teaching Theory and have guided many to their Grade 5.

Practical Matters

My teaching practice is based in the villages of Histon and Impington, but I also teach in Cottenham, Rampton, and Willingham; I teach in my pupils’ homes and in my own home. My teaching hours are approximately 3.30-8.30pm on weekdays and 9am–1pm on Saturday mornings. I have had an Enhanced DBS check but I am happy to supply as references the contact details of numerous families I currently teach. I am always pleased to advise about buying or upgrading a piano, digital piano, or keyboard. Email:



Contact Information

  • 4A Green Street
    Cambridge, Cambridgeshire CB24 5JA
  • Phone: View Phone
  • Mobile: 07772 433 570
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Additional User Information

Disclosure and Barring Service: yes

Qualification: BMus, MMus, PhD

Other Information

Other Categories:

Piano Teachers

Related Listings:
Richard Smith BA CTABRSM
Butler Smith Specialist Carriers Ltd
Richard Lawson Pianos
Jamie Smith
Ms Jenny Smith


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Did You Know Music Facts

Ludwig van Beethoven
Was baptised on 17 December 1770 he was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 concertos for piano, 32 piano sonatas, and 16 string quartets. He also composed other chamber music, choral works and songs.

Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and Christian Gottlob Neefe. During his first 22 years in Bonn, Beethoven intended to study with Wolfgang Amadeus Mozart and befriended Joseph Haydn. Beethoven moved to Vienna in 1792 and began studying with Haydn, quickly gaining a reputation as a virtuoso pianist. He lived in Vienna until his death. In about 1800 his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. He gave up conducting and performing in public but continued to compose; many of his most admired works come from this period. in February 1818 Beethoven acepted a piano from Broodwoods England he worte

My very dear friend Broadwood,I have never felt a greater pleasure than your honours intimation of the arrival of this piano, with which you are honouring me as a present. I shall look upon it as an altar upon which I shall place the most beautiful offerings of my spirit to the divine Apollo. As soon as I receive your excellent instrument, I shall immediately send you the fruits of the first moments of inspiration I spend at it, as a souvenir for you from me, my very dear B.; and I hope that they will be worthy of your instrument.

My Dear Sir,Accept my warmest consideration, from your friend and very humble servant, Louis Van Beethoven Vienna,