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Roberts Pianos

87 St Clements Street
Oxford, Oxfordshire OX4 1AR
England

We have been moving pianos since 1980 and offer a fully insured piano removal service, moving millions of pounds worth of pianos each year. Official ...

Courtney Pianos

43 Botley Road
Oxford, Oxfordshire OX2 OBN
England

We are specialists retailer of traditional pianos - particularly the better-known makes/models built between the 1890s and 1940s. Based in Oxford, our...

Roberts Pianos (Oxford)

87, St. Clements St
Oxford, Oxfordshire OX4 1AR
England

We stock over 100 top quality new, modern and traditional grand,
baby grand and upright pianos.

OUR HISTORY
The Roberts family ...

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Leon Maciocia BSc ALCM DipABRSM


Headingtom
Oxford, Oxfordshire OX3 7DN
England

Friendly, experienced and qualified.
Member of European Piano Teachers Association.
All ages and levels.
Also tuition in Theory of Music and ...

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Did You Know Piano Facts

What is the difference between Overdamping and Underdamping?

Overdamping is a system whereby the piano damping mechanism (the bit that shuts the piano up) is situated above the hammer strike line. Underdamping is where the piano dampers are placed below the hammer strike line. Advantages and disadvantages. Overdamping. Imagine an elastic band three-foot long, you twang it and then put your finger near to the end of the elastic band, to stop it vibrating. This is overdamping

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Take the same elastic band and place your finger near the centre to stop it from vibrating this is underdamping, which of course is more efficient. Overdamping is controlled by gravity where as underdamping is controlled by adjustable springs so on the whole underdamping is far more efficient than overdamping. However, there is one disadvantage with underdamping. That is, if the dampers are incorrectly aligned to the nodes and antinodes of the vibrating string this will result in, the dampers when they come in contact with the string, emphasising certain harmonics on the piano, thus giving you a harmonic ring, this is more common on small uprights and small grandís as the margin of tolerance decreases as the piano becomes smaller.