Livingston Piano Teacher

Livingston Piano Teacher
3.33 star(s) from 6 votes

Contact Information

  • 33 Staunton Rise
    Dedridge West
     Livingston, West Lothian EH54 6PB
    Scotland
  • Phone: View Phone
  • Mobile: 07722499513
    • Send Message vCard

  • Hours Currently Open

    Monday 11:00 - 21:00
    Tuesday 11:00 - 21:00
    Wednesday 11:00 - 21:00
    Thursday 11:00 - 21:00
    Friday 11:00 - 21:00
    Saturday 11:00 - 15:00
    Sunday 11:00 - 15:00

I am a very experienced piano teacher and work with children and adults.  Most are complete beginners at the start but I'm also happy to take on improvers or adults who want to take up piano again after a long break.  You can choose what style you wish to learn (I cover them all) or whether you are interested in taking exams or not.  Some of my pupils have achieved great results.  My most recent result was for a student who achieved ABRSM Grade 7 with distinction!  You may have only an electric keyboard or you may have a traditional piano.  You can learn on either.  I am passionate about the piano and love passing on my considerable knowledge to my students. I teach from my own house in Dedridge, Livingston, West Lothian. Weekly lessons usually last half an hour and cost £12, paid monthly in advance.  Give me a ring or send me a text and we can arrange a first free lesson.

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Additional User Information

Disclosure and Barring Service: No

Qualification: ABRSM Diploma in Performance (Piano)

Other Information

Other Categories:

Piano Teachers

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Reviews

 Excellent Teacher, 24-02-2018 02:54PM

By: John Davidson

I've loved having lessons from Michael over a number of years now. Michael is passionate about the piano and he communicates his enthusiasm to his students. I have no hesitation in recommending Michael as a Piano Teacher.

Featured Listings




Did You Know Piano Facts

1157
Around the middle of the twelfth century we find the keyed monochord, which was developed further, several strings being added, until eventually we recognize the clavichord. A tangent was fitted to the back of each key, which when raised contacted the single string, and facilitated simultaneous notes. The tangent acted as a bridge determining the speaking length of the string. A mute was fitted to the non-speaking length, so when the key was released the note stopped singing.