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Barrie Heaton Dip. AEWVH, FABPT, FIMIT, CGLI (hon.), MMPTA (usa),

Barrie Heaton Dip. AEWVH, FABPT, FIMIT, CGLI (hon.), MMPTA (usa),








5 star(s) from 14 votes


I recondition, repair, and tune pianos in the Lancashire area of England. I cover all of Lancashire area, North Manchester, parts of Merseyside and South Cumbria. Why do I cover such a large area? I provide services that other tuners do not and for this reason manufacturers and retailers in the UK use my skills, one of which is one site polyester repairs .

I have been vetted by the Disclosure and Barring Service (DBS) and therefore approved to work in situations with vulnerable adults and children. (Previously known as CRB checks).


tuning-at-BBC-voice.jpg

Background:

I was trained as a Piano Tuner at RNCB back in the 70s where I received a diploma in piano tuning and repairing. I also obtained my City and Guilds String Instrument Design, String Instrument Repair, and String Instrument Tuning and Toning, parts one and two, in all three City and Guilds. I also completed Action Finishing and Regulating part one. As part of my training in 1978, I spent six weeks at Bentley Pianos on tuning and toning and one day a week out of the six in the action finishing and regulating department. During that same year, I was awarded the clothworkers' prize for the highest exam pass for City and Guilds for all of the UK. In 1979, I spent time at Kemble-Yamaha on voicing and toning. In 1979, I received the Layton prize for best piano repairer, and that prize was awarded to me byHRH the Prince of Wales. In 1980, I started to work for Hunt's Pianos in Darwen, at the time the largest restoration/wholesaler in the UK with over 2,000 pianos in stock at any one time. The following year I was promoted to head technician among five technicians and two apprentices. In November 1986 I set up my own workshop and tuning round, since them I have attended technical refresher

 

These are some of the towns and villages I cover (please see the map below):

Lancashire Towns and Villages




 

 

  • Abbey Village
  • Accrington
  • Adlington
  • Altham
  • Atherton
  • Ashton-in-Makerfield
  • Aspull
  • Aughton
  • Bacup
  • Balderstone
  • Bamber Bridge
  • Barnoldswick
  • Barrowford
  • Baxenden
  • Belmount
  • Belthorn
  • Blackburn
  • Blackrod
  • Bolton
  • Bolton-by-Bowland
  • Bretherton
  • Brierfield
  • Brinscall
  • Burnley
  • Burscough
  • Bury
  • Carnforth
  • Chatburn
  • Chapeltown
  • Chorley
  • Clayton-le-Moors
  • Clayton-le-Woods
  • Clitheroe
  • Cliviger
  • Colne
  • Coppull
  • Crawshawbooth
  • Croston
  • Darwen
  • Earby
  • Eccleston
  • Edenfield
  • Edgworth
  • Euxton
  • Fence
  • Formby
  • Freckleton
  • Fulwood
  • Garstang
  • Goosnargh
  • Great Harwood
  • Greenmount
  • Hiagh
  • Hapton
  • Haslingden
  • Haywood
  • Helmshore
  • Hindley
  • Hoddiesden
  • Hogton
  • Horwich
  • Huncoat
  • Hutton
  • Irwell Vale
  • Ince
  • Kearsley
  • Lancaster
  • Leigh
  • Leyland
  • Longton
  • Longridge
  • Lowton
  • Lum
  • Lytham St Annes
  • Mawdesley
  • Morecambe
  • Milnrow
  • Nelson
  • Newburgh
  • New Longton
  • Orrell
  • Ormskirk
  • Oswaldtwistle
  • Padiham
  • Parbold
  • Penwortham
  • Preston
  • Radcliffe
  • Ramsbottom
  • Rawtenstall
  • Ribchester
  • Rishton
  • Rossendale
  • Royton
  • Rufford
  • Samlesbury
  • Scarisbrick
  • Shaw
  • Shevington
  • Silverdale
  • Skelmersdale
  • Southport
  • Stacksteads
  • Standish
  • Swinton
  • Tarleton
  • Tockholes
  • Tottington
  • Turton
  • Tyldesley
  • Up-Holland
  • Waddington
  • Walton
  • Waterfoot
  • Westhoughton
  • Wheelton
  • Wigan
  • Withnell
  • Worsley
  • Worsthorne

Contact Information

  • 31 Wyre Crescent
    Darwen, Lancashire BB30JG
    England
  • Mobile: 07973 628608
  • Send Message vCard
  • Hours

    Monday:
    07:00 - 15:30
    Tuesday:
    07:00 - 15:30
    Wednesday:
    07:00 - 15:30
    Thursday:
    07:00 - 15:30
    Friday:
    07:00 - 15:30

Map

More Locations

Other Information

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Reviews

 STECK baby grand, 17-04-2017 03:33PM

By: Kevin Kearns

It is a pleasure to report that a service received exceeded one’s most optimistic hopes and expectations - Barrie’s work on the repair and tuning of an elderly STECK baby grand certainly warrants this accolade. The piano appears to be about a hundred years old and it had, to say the least, been neglected – indeed over the last six years it had been located in an unoccupied property. Apart from the many other problems which required attention, a large number of the keytops had become displaced and attempts had been made to re-fix them with an inappropriate adhesive.

None of this phased Barrie. He took the Action to his workshop; he replaced all the keytops and undertook all the required repairs. Within three weeks Barrie had completed this work; he then reinstalled the Action, cleaned the frame to its former glory and tuned the piano.

This was a challenging undertaking, which Barrie completed with consummate professional skill – and considerable good humour. To say that his client is delighted, would be a very substantial understatement. One was fortunate to have had him recommended by a professional in his own field. Barrie has earned appreciation and the warmest thanks of all concerned in this project.

Kevin Kearns

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Did You Know Piano Facts

Concert Pitch
What is Standard Pitch or Concert Pitch and why do we need it? Standard Pitch is a universal frequency or note that all instruments are set to. Todayís standard pitch is A440 or C523.3 and this concert pitch enables musicians to play instruments together in harmony. A form of standard pitch has been around ever since two individuals wished to play two instruments together or sing to an instrument. A tuning fork is normally used to set the pitch. However, in the past, pitch pipes have been used, and today electronic tuning forks are also used, but the most common is the tuning fork. The tuning fork was invented by John Shore in 1711 and it had a pitch of A423.5. He was the sergeant trumpeter to the Court and also lutenist in the Chapel Royal.
Of course, once you have your "A" or "C" set to a pitch, the rest of the instrument will have to be tuned. A scale is set in the middle and this scale also determines the pitch of all the twelve notes in the octave. The most common system used to day is known as equal temperament. This sets the pitches of the twelve notes so that the player can play the instrument in all keys by dividing the roughness equally among the twelve notes. The roughness is called the "wolf." This term may have come about because if the "wolf" is not set right the instrument will be howling out of tune.
Like standard pitch A440, equal temperament is not the only tuning scale that has been used. Ptolemy started using just intonation in 136 AD. Meantone tuning was perfected by Salinas in 1577 AD. Equal temperament was proposed by Aristoxenus, a pupil of Aristotle, and had been in use in China for some centuries before. It would seem that equal temperament was used in North Germany as early as 1690. In 1842 the organ of St. Nicholas, in Newcastle-upon-Tyne, was tuned to equal temperament, and this is believed to be the first organ to be tuned in this way in England for a concert. Willis the organ builder did not use equal temperament until 1854. However, in 1846 Walter Broadwood directed Mr. Hipkins the head piano tuner at the company to instruct their tuners in the use of equal temperament. Mr. Hipkins used two tuning forks, one for meantone at A433.5 and one for equal temperament at A436. Meantone was the most common scale used at that time. See Ed Foote for more information on the use of meantone on today's pianos.
Musicians are not the only people to work with pitch. In 583 BC, a Greek philosopher called Pythagorus was making use of the monochord. This device is simply a soundbox with a single string stretched over a movable bridge, the position of which can be determined by a scale marked on the soundbox. This was more of a scientific instrument than a musical one. Before this time, the Egyptians and Greeks made use of the monochord. For 5000 years, it was used to make intricate mathematical calculations. The ratio of intervals and many other facts that make up the fundamentals of acoustic science were discovered using the monochord. Pythagorus used a pitch of 256Hz on his monochord. The study of mathematics was known as philosophy in the time of Plato.