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Mr M Locke MABPT,Dip CTB,MIMIT,MPTA,

Mr M Locke MABPT,Dip CTB,MIMIT,MPTA,










   Background

Qualifying from three years study at the Royal National College for the Blind, during this time winning the Europiano prize in 1975. image

In July 1976 I went to work in Rye, East Sussex, as a newly qualified piano technician with a City and Guilds and CTB. Diploma.

During 1980 to 1981, sponsored by an Arts Council bursary I spent a year at Steinway Hall in London training in the preparation of pianos for concert work.

Moving to Manchester in 1981, I started my own business.

Building up my largest client base in Cheshire and Lancashire, I tune pianos five days a week. Travelling to North Wales and the Lake District by request.

To date working for 20 years as piano technician for Manchester University, many churches, North-West Arts, Stockport Symphony Orchestra, and a wide range of professional musicians and piano teachers.

Martin is also on the recommended list for The Piano Tuners Association and The Blind Piano Tuners Association, and has worked internationally to represent these organisations in addition to acting as an examiner of piano tuners.

By 1989 I opened my own shop 'Piano House' at Barlow Moor Road, Didsbury. Retailing a wide range of pianos.

Dedicating a total of 30 years to date studying and working with pianos.

Contact Information

  • Stockport, Cheshire
    England
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  • Mobile: 07768 938 180
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Did You Know Piano Facts

1709
The year 1709 is the one most sources give for the appearance of aninstrument which can truly be called a "Pianoforte." The writer Scipione Maffei wrote an article that year about the pianoforte created by Bartolomeo Cristofori (1655-1732), who had probably produced four "gravicembali col piano e forte" or harpsichords with soft and loud. This instrument featured the first real escapement mechanism and is often called a "hammer harpsichord." The small hammers were leather covered. It had bichords throughout, and all the dampers were wedge-shaped. By 1726 he seems to have fitteda stop for the action to make the hammers strike only one of twostrings. He had produced about twenty pianos by this time and thenhe is presumed to have gone back to making harpsichords,probably from the lack of interest in his pianos. Three of hispianos remain extant today: one with four octaves, dated 1720, is in NewYork; one with four and a half octaves, from 1726, is in Leipzig,Germany; and there is one in Rome from 1722. There are approximately ten plucked instruments surviving today with the name Cristofori on them.