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Ashington Northumberland England

Ashington


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Tyneside Piano Company

34 Wellhead Terrace
Ashington, Northumberland NE638PA
England

With a fine selection of only the best new pianos for sale, we are the proud appointed agents for Steinway and Sons, throughout the North East and ...

Tyneside Piano Company Piano Hire

34 Wellhead Terrace
Ashington, Northumberland NE63 8PA
England

We have a superb selection of hire pianos available, that cover every need from that of the debutant student, to concert level. Once you have chosen ...

Featured Listings

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    Unit 2, Crown Centre
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    Macclesfield, Cheshire SK11 6QS
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    Offers a hand-picked selection of prestigious

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    5 High Bank Side
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    we supply all styles of Acoustic Piano, from

  • Dawsons Music Ltd (Warrington)

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    Today, we supply all styles of Acoustic Piano,

  • The Full Octave

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  • Reidy's Home Of Music

    Feilden St
    Blackburn, Lancashire BB2 1LN
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    Reidys home of Music was established in 1922 and




Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.