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Debbie Lammin


Wimbledon, London SW20 9JR
England

I began my professional life as a performer but soon found that teaching is my real passion. My aim is to give every one of my pupils the tools to ...

A. Hanna & Sons Pianos Ltd Piano Removals

94 Kingston Road
Wimbledon
Wimbledon, London SW19 1LA
England

A. Hanna & Sons Pianos, is a family piano business which was established in 1960, and has been expanding ever since.

A. Hanna & Sons Pianos Ltd Piano Hire

94 Kingston Road
Wimbledon, London SW19 1LA
England

A. Hanna & Sons Pianos, is a family piano business which was established in 1960, and has been expanding ever since.

A Hanna & Sons Pianos Rehearsal Rooms

Unit 11 - Riverside Business Park
Wimbledon, London SW19 2RL
England

Piano & Dance REHEARSAL STUDIOS IN WIMBLEDON We at A.Hanna & Sons Pianos in Wimbledon are offering: Piano & Dance Practice Studio on the first floor ...

Nathan Harris


Wimbledon, London
England

Adult Piano Lessons for total beginners or re-starters. All levels taught from beginner to grade 8/diploma. Nathan Harris GLCM ALCM. Reasonable Rates...

Adult Piano Lessons Nathan Harris MMus GLCM ALCM

Wimbledon London
SW20
Wimbledon, London
England

Adult piano tuition is given by fully qualified piano teacher. I teach all styles: Classical, popular music, jazz. I am based in West Wimbledon but ...

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Did You Know Piano Facts

1709
The year 1709 is the one most sources give for the appearance of aninstrument which can truly be called a "Pianoforte." The writer Scipione Maffei wrote an article that year about the pianoforte created by Bartolomeo Cristofori (1655-1732), who had probably produced four "gravicembali col piano e forte" or harpsichords with soft and loud. This instrument featured the first real escapement mechanism and is often called a "hammer harpsichord." The small hammers were leather covered. It had bichords throughout, and all the dampers were wedge-shaped. By 1726 he seems to have fitteda stop for the action to make the hammers strike only one of twostrings. He had produced about twenty pianos by this time and thenhe is presumed to have gone back to making harpsichords,probably from the lack of interest in his pianos. Three of hispianos remain extant today: one with four octaves, dated 1720, is in NewYork; one with four and a half octaves, from 1726, is in Leipzig,Germany; and there is one in Rome from 1722. There are approximately ten plucked instruments surviving today with the name Cristofori on them.