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Marylebone London England

Marylebone

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Steinway & Sons Ltd

Steinway Hall
44 Marylebone Lane
Marylebone, London
England

For 150 years, Steinway has been dedicated to the ideal of making the finest pianos in the world. We would like to offer our professional piano moving...

Bluthner Piano Centre

10 Portman Square,
Baker Street,
Marylebone, London W1H 6AZ
England

Blüthner Pianos in LondonSince 1853, Blüthner pianos have been exclusively manufactured in Leipzig, Germany and to this day, the Blüthner family of...

Bluthner Piano Centre Limited

6 Baker Street,
Marylebone, London W1U 3AA
England

Practice in a comfortable, quite spacious, sound-proof room on a professional grand piano only minutes from the heart of Central London. Book a room ...

London Piano Centre

6 Baker Street
Marylebone, London W1U 3AA
England

London's finest piano education, taught by active concert pianists.

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    Established in 1986, Time and Tune has a

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    Largest Selection of Upright and Grand Pianos on

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    Pianola sales and services. Music rolls sales and

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    Located in the Sussex countryside, we are a family

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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.