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Clapham Common London England

Clapham Common


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Dr. Steve Potter, FHEA


Clapham Common, London SW18 3PA
England

I provide piano, theory and composition lessons at all levels, for children (5 & up) and adults. For beginner piano students I emphasize learning by ...

Ms Jocelyn Abbott

40 Cubitt Terrace
Clapham Common, London SW4 6AR
England

In addition to piano tuition – piano accompaniment, vocal and performance coaching is also available
Jocelyn teaches pupils of all ages - from five ...

Featured Listings

  • Brittens Music New Haw

    13 The Broadway
    Woodham
    New Haw, Surrey KT15 3EU
    England

    Covering Kent, Sussex and Surrey from stores in

  • Stuart Jones Piano Sales

    18-20 Mochdre Industrial Estate
    Newtown
    Newtown, Powys SY16 4LE
    Wales/Cymru

    Based in the picturesque Mid-Wales countryside

  • LSM Pianos Ltd

    9 Rothersthorpe Avenue
    Rothersthorpe Ind. Estate
    Northampton, Northamptonshire NN4 8JH
    England

    LSM Pianos Ltd. was established back in 1979. We

  • Phil Taylor Pianos

    2 Clay Bank Villas
    Blidworth
    Nottingham, Nottinghamshire NG21 0QS
    England

    Concert Quality rebuilt Grand pianos for the

  • Piano Removals London

    95 Strongbow Crescent
    Eltham, London SE9 1DW
    England

    Piano Removals Services for all of Greater London

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Did You Know Piano Facts

1709
The year 1709 is the one most sources give for the appearance of aninstrument which can truly be called a "Pianoforte." The writer Scipione Maffei wrote an article that year about the pianoforte created by Bartolomeo Cristofori (1655-1732), who had probably produced four "gravicembali col piano e forte" or harpsichords with soft and loud. This instrument featured the first real escapement mechanism and is often called a "hammer harpsichord." The small hammers were leather covered. It had bichords throughout, and all the dampers were wedge-shaped. By 1726 he seems to have fitteda stop for the action to make the hammers strike only one of twostrings. He had produced about twenty pianos by this time and thenhe is presumed to have gone back to making harpsichords,probably from the lack of interest in his pianos. Three of hispianos remain extant today: one with four octaves, dated 1720, is in NewYork; one with four and a half octaves, from 1726, is in Leipzig,Germany; and there is one in Rome from 1722. There are approximately ten plucked instruments surviving today with the name Cristofori on them.