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Camden Town London England

Camden Town

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Westminster Piano Removals and Disposal, Central London


Camden Town, London WC1
England

Westminster,Central London piano moving and disposal-

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Markson's Pianos

5 - 8 Chester Court,
Albany Street,
Camden Town, London NW1 4BU
England

For 100 years Markson Pianos have been one of the most well-known piano suppliers in the UK. Our services include hire, maintenance and restoration ...

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Markson's Pianos Piano Hire


Camden Town, London
England

As pioneers in the field of short and long term piano hire in the 1960's, Marksons have developed a wide and extensive hire fleet, ranging from the ...

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  • Miss Christina Barrie

    Hampstead, London
    England

    Experienced piano teacher and accompanist

  • Bernadette Charnley

    Great Harwood, Lancashire
    England

    I teach piano & violin from my own home in Great

  • Hurstwood Farm Piano Studios

    The Hurst Crouch
    Borough Green
    Sevenoaks, Kent TN15 8TA
    England

    We offer some of the lowest prices in Europe for

  • Buskers Music

    Unit 60 The Triangle
    Wolverton Park
    Milton Keynes, Buckinghamshire MK125FJ
    England

    We are a family run music shop in Wolverton,

  • DAWSONS MUSIC BELFAST

    121-125 Royal Avenue
    Belfast, County Antrim BT1 1FF
    Northern Ireland

    The Belfast music scene has been quietly turning

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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.