Little & Lampert Pianos

Little & Lampert Pianos
5 star(s) from 2 votes

We are importers and distributors of new and nearly new pianos. We import from Japan and Korea to supply to the general public and trade customers. We carry a vast amount of used Yamaha andSamick and Young Changpianos from Japan and used Samick and Young Chang pianos from Korea.

Both our new and nearly new pianos are of the highest quality and are at very competitive prices.

James Little & Paul Lampert have been in the piano trade for a combined period of 45 years (2004). Our knowledge of pianos is second to none and as we are an independent piano shop, we can offer complete impartiality when giving advice on anything to do with pianos. We are piano experts and we both are fully qualified Piano Technicians.

We are based in Middlesex, just inside the M25 (J17) near Watford, Rickmansworth, Harrow, NW London.

We have been in our current shop since 1992 and have been supplying pianos to the trade since 1995. All of our pianos come with a 5 year guarantee and we can promise you complete satisfaction. Wherever you may live in the U.K. we know that you will be satisfied with whatever piano you purchase from us. However if you are not, we offer a full money- back guarantee if not completely satisfied.

We supply most makes of pianos. Please contact us regarding any brand name and we will do our best to supply it to you. We offer the following services:

Contact Information

  • 38 Joel Street
    Northwood Hills
     Northwood, London HA6 1PA
    England
  • Phone: View Phone
  • Mobile: 01923 451510
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Other Information

Other Categories:

Piano Shops

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  • Little & Lampert Pianos

    38 Joel Street
    Northwood Hills
    Northwood, London HA6 1PA
    England

    We are importers and distributors of new and




Did You Know Piano Facts

1157
Around the middle of the twelfth century we find the keyed monochord, which was developed further, several strings being added, until eventually we recognize the clavichord. A tangent was fitted to the back of each key, which when raised contacted the single string, and facilitated simultaneous notes. The tangent acted as a bridge determining the speaking length of the string. A mute was fitted to the non-speaking length, so when the key was released the note stopped singing.