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Kris Bell

Kris Bell








4.5 star(s) from 2 votes


I studied at Oxford University, the Guildhall School of Music&Drama and at the National Opera Studio.

I have always worked as a collaborative pianist alongside my solo work, whether it be with singers, solo instrumentalists or opera companies and choruses. My work has taken me around the world but I am happily based in London.

I have worked for the main opera companies in the UK as a coach and repetiteur, including the Royal Opera House, English National Opera, Opera North and in Germany for the houses in Nürnberg, Wiesbaden and Freiburg. My repertoire includes about 50 operas presently. I have accompanied countless auditions, examinations, masterclasses and recitals and am very much a "singer's pianist." I have made several appearances live on BBC Radio 3.

Choral work has included with the chorus of the Royal Opera House and the BBC Singers.

I also love the instrumental and chamber music repertory and have performed with members of the Allegri and Chilingirian string quartets.

My rates are negotiable depending on the task in hand (usually around £35 per hour) but I accompany auditions, rehearsals, examinations and recitals.

I have an excellently equipped studio in the heart of Fulham, London SW6 with superb grand piano. Luckily I am able to play most music at sight and learn new music at speed. This has stood me in good stead so far!

 

Contact Information

  • East Ham, London SW6 5LT
    England
  • Phone: View Phone
  • Mobile: 07801 869 022
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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.