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C. Bechstein model 10 Traditional 130cm Upright Piano c1913 M30593

from Robert Morley & Company Ltd.

Overview

Price: £7,260.00

Date: 05-11-2024 11:30AM

Expiration Date: 05-11-2025 11:26AM

Description

C. Bechstein model 10 Traditional 130cm Upright Piano c1913 secondhand M30593
Highly original and conservatively restored
Mahogany lustre traditional finish

7 octaves – 85 notes
2 pedals
Made in Germany

Rent this piano on our home rental scheme for only £100.00 per month with an initial payment of £500.00 before delivery to a ground floor location in London (this includes delivery, collection, first months rental and setup/admin charge). Value on rental agreement £7,260.00. Terms and conditions apply, please ask for full details.

Dimensions : 147.00cm wide 130.00cm high 60.00cm deep

Image(s)

C. Bechstein model 10 Traditional 130cm Upright Piano c1913 M30593

Contact Owner

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Did You Know Piano Facts

What is the difference between Overdamping and Underdamping?

Overdamping is a system whereby the piano damping mechanism (the bit that shuts the piano up) is situated above the hammer strike line. Underdamping is where the piano dampers are placed below the hammer strike line. Advantages and disadvantages. Overdamping. Imagine an elastic band three-foot long, you twang it and then put your finger near to the end of the elastic band, to stop it vibrating. This is overdamping

.

Take the same elastic band and place your finger near the centre to stop it from vibrating this is underdamping, which of course is more efficient. Overdamping is controlled by gravity where as underdamping is controlled by adjustable springs so on the whole underdamping is far more efficient than overdamping. However, there is one disadvantage with underdamping. That is, if the dampers are incorrectly aligned to the nodes and antinodes of the vibrating string this will result in, the dampers when they come in contact with the string, emphasising certain harmonics on the piano, thus giving you a harmonic ring, this is more common on small uprights and small grandís as the margin of tolerance decreases as the piano becomes smaller.