Ken Ross

Ken Ross

I am passionate about musical expression, and teach a relaxed technique that allows the pupil to access his or her inbuilt musical sense.

My teaching is based around the principles of the teacher and pedagogue Tobias Mattay, who advocated use of the weight of the arm to get the best possible tones; controlled and economical finger movement; and a flowing wrist for the management of gravity.

I teach for ABRSM and Trinity grade and diploma exams if the pupil asks for them. The approaches I use can be applied to Classical or general styles, and because they are so musically effective I have had a high proportion of merits and distinctions from pupils in exams. But the creation and enjoyment of music are the most important thing.

I also teach theory of music for the ABRSM exam syllabus.

I have the Disclosure Scotland (enhanced) certificate.

 

 

 

Contact Information

  • 9 St Fillan's Terrace
    Morningside
     City of Edinburgh, Edinburgh EH10 5NH
    Scotland
  • Phone: View Phone
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Additional User Information

Disclosure and Barring Service: yes

Qualification: BA, ATCL, LTCL

Other Information

Other Categories:

Piano Teachers

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1157
Around the middle of the twelfth century we find the keyed monochord, which was developed further, several strings being added, until eventually we recognize the clavichord. A tangent was fitted to the back of each key, which when raised contacted the single string, and facilitated simultaneous notes. The tangent acted as a bridge determining the speaking length of the string. A mute was fitted to the non-speaking length, so when the key was released the note stopped singing.