
I have worked with the BBC National Orchestra of Wales, BBC Scottish Symphony Orchestra, BBC Philharmonic, City of Birmingham Symphony Orchestra and other major orchestras in the UK.
I have had many pupils auditioned successfully for the junior department of Royal Academy of Music, Royal College of Music and the Guildhall Schook of Music & Drama.
Past and current pupils include music scholars at NLCS, HABS, Merchant Taylor's, St. Paul's, Westminster School and others.
I usually have large amount of pupils passing ABRSM and Trinity exams with distinction.
Disclosure and Barring Service: yes
Qualification: RAM BMus(Hons), PGDip
Disclosure and Barring Service: yes
Qualification: RAM BMus(Hons), PGDip
Hampstead, London
England
Experienced piano teacher and accompanist
Great Harwood, Lancashire
England
I teach piano & violin from my own home in Great
Music Festival for performers and guests Our 10th
18-06-2022 12:30PM
The Morecambe Bay Piano Group was set up to extend
11-12-2021 01:00PM
The Morecambe Bay Piano Group was set up to extend
08-01-2022 01:00PM
The Morecambe Bay Piano Group was set up to extend
12-02-2022 01:00PM
Tuning Temperaments
How many piano tuning temperaments are there?
There are countless variations, but most fall within three major categories;
1. Meantone, which generally concentrated the dissonance into a few unusable intervals (often called "wolf" intervals), so that the others could be Just. These are often called "restrictive" tunings, since there are certain intervals that are not usable. Good intervals are really good, bad ones are really bad. The Meantone era was approx. 1400-1700
2. Well-Temperament, which gives more consonance to the most often used keys, and more dissonance to the lesser used ones. Though not equal, these tunings are "non-restrictive" because all intervals can be used. The intervals range from Just to barely acceptable. Well-temperament refers to a genre, not a specific tuning. The Well-Tempered era is approx. 1700-1880.
3. Equal Temperament, which spreads the dissonance equally among all intervals.
There is no difference in consonance or dissonance between any keys, thus, there are no good ones or bad ones. Equal temperament represents a complete average. Dates of its acceptance are debated, but there is ample evidence that it was widely available by 1900 and is the predominate tuning on keyboards, today.
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