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Dedicated holistic Piano Accompanist








5 star(s) from 1 votes


Professional highly qualified piano Accompanist offers friendly, patient, holisctic piano Accompanying for  children and adult learners, beginners to adults 

- Any genre of music, classical, pop music, cross-over and musical theatre

 

After over 10 years' teaching experience, Reina started London Piano Studio to offer students the most effective tuition to meet individual needs. She also coaches conductors, singers, ensembles and dancers to develop their professional skills.

 

Reina was introduced to music at her very early age, studied with Yukiko Deto in Osaka and gained a Bacholor degree from Osaka University of Music. Following to complete her degree, she was selected to perform at the Young Artist Concert in Osaka.

 

During the time at University, Reina had been interested in modern and contemporary music as much as classical repertoires. She passionated to explore and put a spot light on musics unknown. And during the time of exploring, she grew her interest of performing music in her unique way, new from what has been done.

Meanwhile, her passion and interest were expanded to other creative genre and that led her to form a performance group with fellow musicians and artists to make a creative stage show to explore a new style to present classic music to audiences. In 2005, the group made a successful debut at Kyoto's Art Complex 1928, and were invited to perform in the opening series of the new arts venue, Creative Centre Osaka.

Soon after, Reina moved to London where she completed her Postgraduate study at Royal Academy of Music, studied with Pascal Nemirovski and William Fong. SInce then, she started perform as a soloist and a chamber music player as well as an accompanist in UK.

But a part from performing as a pianist, her passion of creating and interest of music led her to expand other studies. She also studied jazz piano with Atsuko Hashimoto, Sara Dhillon and Barry Green, and studied composition with Grigorio Giamougiannis.

Forming up improvisation performance duet with her fellow violinist, they released an album, recorded in UK and USA. One of their recent album received the Independent Music Award.

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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.