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Brighton Piano Accompanist

Brighton Piano Accompanist








5 star(s) from 1 votes


I’ve been accompanying almost as long as I’ve being playing the piano (30+ years!), and ever since high school, that’s been the musical role that has brought me the greatest amount of joy (and still does!) 

Over the years, in South Africa and the UK, I’ve accompanied soloists for exams, auditions and concerts; played continuo in Baroque ensembles; played the pipe organ for hundreds of church services, weddings and funerals; worked with innumerable singers in the fields of lieder, cabaret, musicals, pop and EDM; and also collaborated with many professionals in a broad range of musical styles and genres.

I am available to accompany local ABRSM, Trinity and Rock School exams, auditions, concerts, and for the Springboard Festival in March. My main aim is to provide a professional, positive and fun experience for ALL musicians needing accompaniment, irrespective of age, level or background. With many years of performing experience behind me, I also have many positive techniques to share on how to prepare for exams and concerts, deal with performance anxiety and nerves, and how to present an authentic and stylish performance! 

Rehearsals can happen at my studio in Saltdean or in the Brighton area (if I am able to travel there easily by public transport). 

Please email or call me for more information and my rates.

Contact Information

  • 2 Mount Drive, Saltdean
    Brighton, East Sussex BN2 8QA
    England
  • Phone: View Phone
  • Mobile: 07935798256
  • Send Message vCard

    Additional User Information

    Disclosure and Barring Service: Yes

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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.