Becs Leighton Music (Piano Accompaniment)

Becs Leighton Music (Piano Accompaniment)

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  • Bingley, West Yorkshire BD16 4ER
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Hello, I'm Becs - an experienced accompanist and piano and flute teacher based in West Yorkshire. I have been teaching and accompanying since 1995 and I absolutely love what I do!

ACCOMPANIMENT: I provide high quality accompaniment for singers / instrumentalists across Yorkshire. I work as a rehearsal and concert accompanist for Village Voices Baildon, Barnsley Singers and Barnsley Youth Choir. I also offer freelance services to accompany singers and instrumentalists in performances, auditions and music exams. 
Accompanying is specialist skill and I am responsive to the performers, putting them at ease and ensuring my accompaniment follows and blends with the soloists music. With strong sight-reading skills, I can provide short notice accompaniment if required. References available on request; testimonials and more information available at

TEACHING: I am proud to provide piano and flute tuition to learners of all ages and abilities. Lessons are fun, personalised and promote great technique. We work on theory, technical skill, repertoire and creativity. Whether students are working towards exams or not, including all these elements in ways that engage every learner means students become well-rounded musicians from the start. Even the youngest beginners will be creating their own tunes and learning through games, apps, sound and movement. More information available at


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Disclosure and Barring Service: yes

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Piano Accompanists

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Did You Know Music Facts

Daniel Steibelt vs Beethoven
Daniel Steibelt was a German born classical pianist and composer. He challenged Beethoven to a musical duel in Vienna in 1800. Steibelt studied with Johann Kirberger before he joined the Prussian army.
The Vienna’s music patrons liked the idea of a duel between Steibelt and Beethoven. Each musician got a Prince to sponsor the idea. Since Steibelt was the challenger, he was to play first. In a cocky move, he tossed his sheet music aside. He was renowned for his storm-like bass and that night, apparently he did indeed conjure up a storm. He was greatly applauded. After his piece, all eyes were on Beethoven. Historian Alexander Wheelock Thayer speaks to the growing rivalry between the two:

“When Steibelt came to Vienna with his great name, some of Beethoven’s friends grew alarmed lest he do injury to the latter’s reputation. Steibelt did not visit him; they met first time one evening at the house of Count Fries Eight days later there was again a concert at Count Fries’s; Steibelt again played a quintet which had a good deal of success. He also played an improvisation (which had, obviously, been carefully prepared) …

This incensed the admirers of Beethoven and him; he had to go to the pianoforte and improvise. He went in his usual … manner to the instrument as if half-pushed, picked up the violoncello part of Steibelt’s quintet in passing, placed it (intentionally?) upon the stand upside down and with one finger drummed a theme out of the first few measures.”

Beethoven picked up the sheet music that Steibelt had tossed aside, and chose to play it upside down. Beethoven then proceeded to improvise an opus based on just three notes of Steibelt’s music. He created his own “storm,” he embellished, and mocked what he felt was Steibelt’s simplistic piece. Steibelt stormed out of the room while Beethoven was still playing. His benefactor Prince followed him out. Completely humiliated, Steibelt decided he’d never set foot in Vienna again as long as Beethoven lived there. Beethoven lived out his days in the city and the embarrassed Steibelt never returned. It’s tough to challenge a master, especially a master in his own city with his own fans and his own Princes to back him up.