Learn to Play the Piano Make Music
Piano lessons music theory in Islington, London by Anna Yang
UK Piano Page
I have lots of experiences in concerts, competitions and piano accompaniment. During my studies at RCS I have won several major competitions and have been the recipient of Scholarship every year.
B i o g r a p h y
Anna Yang comes from Canton, south of China and started playing the piano at the age of three. She came to the UK in 2000, studied at The Mary Erskine School, Edinburgh for three years, and then at the Royal Conservatoire of Scotland, Glasgow. She gained a first class honour in Bachelor of Music degree in performance in 2007, and in 2009 she graduated with Master in Music also in performance.
At the Royal Conservatoire of Scotland, Anna studied with Britain’s renowned teacher Philip Jenkins, and then with concert pianist Jonathan Plowright. She was very active in performing, both as soloist and chamber musician. During her studies at the RCS she also worked a lot with singers, and had many opportunities to perform in and out of RCS. Anna’s studies at the RCS were supported by: RCS Trust, Else and Leonard Cross Memorial Trust, MBF Music Education Awards and Yamaha Education UK. She also took part in musical activities outside, including a solo piano recital at the Edinburgh Festival in August 2010, and a piano recital at the Steinway Hall in London in April 2011.
Anna moved to London from Scotland in January 2012 and is now working both as a pianist for ballet and a piano teacher.
Disclosure and Barring Service: yes
Qualification: MMus(Piano Performance), BMus Hon(1st Class), RSAMD
Kensington, London W14 9LT
England
PIANO LESSONS IN LONDON AND EDINBURGH WITH JUAN
Camden, London
England
Experienced piano teacher and accompanist
Great Harwood, Lancashire
England
I teach piano & violin from my own home in Great
Brackley, Northamptonshire
England
Professionally qualified. LRSM Performer:
49-51 Shoe Lane
City of London, London EC4A 3BL
England
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What is Piano Voicing or Toning?
Voicing is an extremely difficult area. It's subjective in the extreme, and has caused endless discussion in piano maintenance circles. But the final goal of voicing is to have the hammers striking the notes of the piano to offer a uniform sound from the bottom to the top of the instrument. Goes without saying that evaluating this capability is governed by the capability of the piano, and the construction of the action parts. But, often a technician will find extremes in voicing, such as a particularly hard hammer, which may result in a note sounding louder than the rest. But, this too can be laid at the door of regulation. This is where the tuner's skill comes into play here. Voicing can be accomplished by pricking the hammer with a set of needles. This pricking changes the structure of the felt, and softens the hammer to a degree.
What is toning?This is the reverse of voicing, and accomplishes the inverse sort of thing. May be necessary to bring up a particularly soft sounding hammer, and bring it into line with its neighbours. This is accomplished by applying a special material to the hammers or ironing with a special tool.