Mr P Kennedy

Mr P Kennedy
5 star(s) from 1 votes

Contact Information

  • Hereford, Herefordshire HR1 1BH
    England
  • Phone: View Phone
    • Send Message vCard

     

Piano Tuning

A large proportion of Phil's tuning work is carried out in private homes across Herefordshire, Worcestershire, Shropshire, Monmouthshire and areas of mid-Wales. He also visits Birmingham city on a regular basis. Phil tunes pianos regularly for professional concerts, rehearsals and recording sessions. He works for music festivals, theatres and concert halls, as well as for schools, colleges and churches.

Minor repairs and regulation work are also undertaken including hammer voicing. Phil can also provide advice and guidance about the care of your piano. Therefore, he is confident that he can provide the best quality service to attend to both the tuning of your piano and to the minor technical work that may be required from time to time.

 

Piano Servicing

The piano's action (its playing mechanism), like all things mechanical, will need a regular service from time to time to keep it in peak performance condition. A professional service is available for work required to both upright and grand pianos. This includes complete refurbishment of the action and the replacement of worn materials and parts. Regulation of the action and adjustment to the pedal mechanism can also be carried out. This type of work can normally be undertaken with the removal of only the piano's action and keyboard to the workshop. Detailed written estimates are given for all recommended work, which also carries a warranty.

Please contact Phil to arrange an inspection visit where it will be possible for him to assess the condition of your piano and to offer informed advice on the work that he would recommend should be carried out.

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Additional User Information

Disclosure and Barring Service: yes

Other Information

Other Categories:

Piano Tuners

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Did You Know Piano Facts

1157
Around the middle of the twelfth century we find the keyed monochord, which was developed further, several strings being added, until eventually we recognize the clavichord. A tangent was fitted to the back of each key, which when raised contacted the single string, and facilitated simultaneous notes. The tangent acted as a bridge determining the speaking length of the string. A mute was fitted to the non-speaking length, so when the key was released the note stopped singing.